Es un buen punto. Pero es difícil de tratar. La electrónica no deja de ser arte y por la experimentación de muchas variables es que se consiguen avances y cambios.
Desde el lado comercial de la industria de la música, festivales y clubs, entran innumerables factores que por supuesto mueven dinero generando deseos ambisios y corrompiendo a la gente.
Pero desde el lado de la producción se ha aprovechado la fama de algunos géneros o ritmos lanzando a la fama y enriqueciendo a unos pocos cómo cualquier industrial.
Estaría bueno hablarlo. Tengo un Podcast Mente Emergente 🍃
The book should start with Morton Subotnick describing his reaction when he first heard Hooked on Bach. I was a young music student at that time and a great admirer of Subotnick’s Silver Apples of the Moon and his other releases on None Such Records. I remember friends getting all excited when they heard Hooked on Bach; coming to me and saying, “this is what you should be doing since you like synths. You don’t have to just make the obnoxious sounds you always make with those machines. Here, listen to this”. Dr. Subotnick was more eloquent in his response, but we both had the same reaction. Carlos’ name should appear prominently when this book is written, with the addendum “forgive him lord, for he knows not what he has done”.
4 Responses to “Entry #3 – This content has expired”
Es un buen punto. Pero es difícil de tratar. La electrónica no deja de ser arte y por la experimentación de muchas variables es que se consiguen avances y cambios.
Desde el lado comercial de la industria de la música, festivales y clubs, entran innumerables factores que por supuesto mueven dinero generando deseos ambisios y corrompiendo a la gente.
Pero desde el lado de la producción se ha aprovechado la fama de algunos géneros o ritmos lanzando a la fama y enriqueciendo a unos pocos cómo cualquier industrial.
Estaría bueno hablarlo. Tengo un Podcast Mente Emergente 🍃
The book should start with Morton Subotnick describing his reaction when he first heard Hooked on Bach. I was a young music student at that time and a great admirer of Subotnick’s Silver Apples of the Moon and his other releases on None Such Records. I remember friends getting all excited when they heard Hooked on Bach; coming to me and saying, “this is what you should be doing since you like synths. You don’t have to just make the obnoxious sounds you always make with those machines. Here, listen to this”. Dr. Subotnick was more eloquent in his response, but we both had the same reaction. Carlos’ name should appear prominently when this book is written, with the addendum “forgive him lord, for he knows not what he has done”.
Michael Winburn
I think you are refering to “Switched on Bach” by Wendy Carlos
Very interesting! It reminds me of NN11 book “DJ Culture as a Function of Neoliberal Capitalism”: https://atom-tm.com/NN/11/DJ-Culture-as-a-Function-of-Neoliberal-Capitalism-Book/
Was it ever released as well?